I tried my best to limit the spoilers in this review. This should be a relatively spoil-free review.
I also read an amateur review call this movie “soulless” and
flat. I don’t agree with this at all. First, this is a sci-fi film. It can look
cold and heartless at first to someone not used to the genre. Second, the two main
characters in this movie, Ender and Graff, struggle with a concept that has so
much soul that it could almost be an R&B album:
How far will you go to protect
the ones you love? Is it worth giving up your very humanity?
I made a concerted effort to stay away from spoilers before watching this film. The most I heard about it was that it had a twist ending (apparently,
the novel does). That said, I saw the twists (two of them) coming. Fortunately, I saw the
twist, but the characters did not. Ender and the other teenage geniuses had
no way of seeing the truth behind the games they were playing. They were blinded by the nature of their training. This allowed
for the buildup of tension as the adults hinted to the audience what was really
going on while the kids were clueless. I didn’t mind the predictability all
that much because of this. As long as their ignorance is not just due to
stupidity, I’m happy to give up the surprise. I’m sure the filmmakers were
aware that the majority of their audience would be in on it, thanks to the book. Judging by the reaction (or more precisely, the lack of reaction) when the big twist was revealed, most of the audience during my viewing saw it coming as well.
The story was structured in a literal buildup of complexity.
It starts with the kids playing video games on an iPad type tablet, then it
builds to them playing a team laser-tag type game in weightless space.
Ultimately, that turned into playing more games with simulated starships. In
a similar way, Ender’s character is pushed in more complex ways. At each stage, Ender finds a way to succeed until he
finds himself becoming the monster he has tried so hard not to be. That is when
his mettle is truly tested and he has to decide what is more important, his
humanity, or the lives of all humanity.
The characters were all well thought out. The two main
characters, the child genius, Ender, and the military commander, Graff, played
well off each other. If Ender was pushed to become better at each stage of his
training, Graff went through a mirrored arc. First, Graff insists that “the morality
of what we do here" will have to wait until the war is over. He tries to
separate himself from what he is doing to the kids he is training. But as Ender comes closer and closer to what Graff wants him to be, you can tell he is beginning to care for the boy more than the soldier.
Each side character had a role specific to Ender. His
sister, Valentine was his anchor to Earth and his analog to humanity as a whole. When he considers the threat to Earth, he always thinks about his sister first. His brother was the example of the monster he feared to be (and I applaud the
filmmakers for expressing this in a 2 minute scene and tiny bits of dialogue
scattered through the film). His various teammates were indicators of his advancement as a leader. And, of course, Petra was the love interest, a
Hollywood construction used pretty much only to make borderline sociopath Ender more relatable. I
hope the book version of her was more robust.
There were a few antagonists for Ender along the way, the
bully in his first school, his commander, Bonzo, in the second school, etc. But the
main antagonist was Graff. Graff was the representation of the human
government/military. He was the one who was responsible for making Ender what
he was. And when the truth comes out, he is the one who the audience will
ultimately blame. He’s not a bad guy. He’s not a villain. There are no villains
in this movie, except for maybe Bonzo. Even the mysterious aliens, the Formics, are not
really villains. They are just a vague threat in the background and the
catalyst for the action in the movie.
The acting by the principle actors is phenomenal. Asa
Butterfield (Ender) is convincing as a borderline sociopath who hates what he
sees himself becoming. Harrison Ford is Graff. Graff is complicated. He is
responsible for saving the world, yet he must use children to do it. There are
moments where Harrison’s face becomes this complex sea of conflict that expresses the war going on in Graff’s soul.
Some of the minor actors show up to play as well. One of the
standouts is Moises Arias, who plays Bonzo, the only really nasty character in
the movie. He plays the role with such delicious hate and antagonism. I
also liked Abigail Breslin as Ender’s sister. There was good chemistry between
Asa and Abigail. They were convincing together.
The performance that fell flatest for me was Ben Kingsley,
who played a character directly associated with one of the twists in the film.
He didn’t show up until the final third of the movie, but even then, his
character was uninteresting and seemed to only be there to reveal the key
exposition in the film that answered most of the questions that the first third
of the film asked. I’m sure he was more important in the book (I hope). I feel
sad for the once-great Kingsley. After his horrible treatment at the hands of
the people behind Iron Man 3, he is put in another role in which he has no
chance to showcase his talents. Hailee Steinfeld, as Petra, was one of the other iffy
performances for me. She was cute and adorable and everything else a “teenage love
interest” is supposed to be, but she delivered her lines off a teleprompter, it
seemed. There was a little chemistry between her and Asa, but her acting
ability needs work.
Overall, the story was well told. The theme was apparent and
well expressed. Structurally, it hit the beats it needed to. I got sucked into
the story by the end of the first act. The main characters had well thought-out
arcs. I was all ready to give this movie a great score (4 out of 5).
But then, the “resolution” came along. You know those extra
five minutes that most movies use to wrap up the story? This movie took the
story one step further in a development that felt like it was tacked on. Even
the foreshadowing of the final event felt like it had been shot in post-production
and dropped into the final cut later. Suddenly, we have the start of a new
story. An artificial promise of a sequel. Characters began to act out of
character (I’m looking at you, Petra). And just like that, I remembered I was watching
a movie. And just like that, I lowered my opinion of the whole thing. Endings are like that. They can make or break a movie.
Yes, I know Ender’s Game is just the first of a 5 part
series in the books, but I hate it when a movie sets up a sequel so
ham-handedly. There was nothing subtle about it. I wish I could express it
better without spoiling the end, but I can’t.
Bottom Line
Story:
I liked how
the story flowed and how it increased the complexity and tension as it moved
along. I got sucked in early on and didn't get pulled out until the last five minutes. It was a bit predictable, but for me this movie was more about the characters than about the plot.
Characters:
Ender was
forced to dig deeper within himself at each stage of his training in order to
advance. At the same time he was obviously being pushed to become something he
is not. Through watching and guiding Ender, Graff becomes a more compassionate
human being.
Execution:
The story
was somewhat predictable, even for someone who hadn’t read the books. There
were clichéd tropes like the hard-ass drill instructor (Dap) and the
territorial rival (Bonzo) as well as the "team of misfits defeating the
undefeated team in the final, championship game". But these all were secondary
to the overall plot.
The movie shines when it is Ender vs. Graff – a complex
relationship almost akin to father/son. These two actors played off each other
well and their confrontation at the climax of the film had an emotional pull
that I haven’t seen in a sci-fi film in a long time.
That should have been the
end of it, though. 99% of the movie was about Ender/Graff. But the side plot at
the end extended the movie where it didn’t need to go. We could have waited
until the sequel to see that. Cutting the last five minutes and all the foreshadowing of it
would not have hurt this movie at all.
Final Score: 3.5 out of 5
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